By Swami Nikhilananda
SRI RAMAKRISHNA, the God-man of modern India, was born at
Kamarpukur.
This village in the Hooghly District preserved during the last
century the idyllic simplicity of the rural areas of Bengal. Situated
far
from the railway, it was untouched by the glamour of the city. It
contained
rice-fields, tall palms, royal banyans, a few lakes, and two cremation
grounds.
South of the village a stream took its leisurely course. A mango
orchard
dedicated by a neighbouring zemindar to the public use was frequented
by
the boys for their noonday sports. A highway passed through the village
to
the great temple of Jagannath at Puri, and the villagers, most of whom
were
farmers and craftsmen, entertained many passing holy men and pilgrims.
The dull round of the rural life was broken by lively festivals, the
observance
of sacred days, religious singing, and other innocent pleasures.
About his parents Sri Ramakrishna once said: "My mother was the
personification of rectitude and gentleness. She did not know much
about the
ways of the world; innocent of the art of concealment, she would say
what
was in her mind. People loved her for her open-heartedness. My father,
an
orthodox brahmin, never accepted gifts from the sudras. He spent much
of
his time in worship and meditation, and in repeating God's name and
chanting
His glories. Whenever in his daily prayers he invoked the Goddess
Gayatri, his chest flushed and tears rolled down his cheeks. He spent
his
leisure hours making garlands for the Family Deity, Raghuvir."
Khudiram Chattopadhyaya and Chandra Devi, the parents of Sri
Ramakrishna,
were married in 1799. At that time Khudiram was living in his
ancestral village of Dereypore, not far from Kamarpukur. Their first
son,
Ramkumar, was born in 1805, and their first daughter, Katyayani, in
1810.
In 1814 Khudiram was ordered by his landlord to bear false witness in
court
against a neighbour. When he refused to do so, the landlord brought a
false case against him and deprived him of his ancestral property. Thus
dispossessed, he arrived, at the invitation of another landlord, in the
quiet
village of Kamarpukur, where he was given a dwelling and about an acre
of fertile land. The crops from this little property were enough to
meet his
family's simple needs. Here he lived in simplicity, dignity, and
contentment.
Ten years after his coming to Kamarpukur, Khudiram made a pilgrimage
on foot to Rameswar, at the southern extremity of India. Two years
later
was born his second son, whom he named Rameswar. Again in 1835, at the
age of sixty, he made a pilgrimage, this time to Gaya. Here, from
ancient
times, Hindus have come from the four corners of India to discharge
their
duties to their departed ancestors by offering them food and drink at
the
sacred footprint of the Lord Vishnu. At this holy place Khudiram had a
dream in which the Lord Vishnu promised to he born as his son. And
Chandra Devi, too, in front of the Siva temple at Kamarpukur, had a
vision
indicating the birth of a divine child. Upon his return the husband
found
that she had conceived.
It was on February 18, 1836, that the child, to be known afterwards as
Ramakrishna, was born. In memory of the dream at Gaya he was given the
name of Gadadhar, the "Bearer of the Mace", an epithet of Vishnu. Three
years later a little sister was born.
BOYHOOD
Gadadhar grew up into a healthy and restless boy, full of fun
and sweet
mischief. He was intelligent and precocious and endowed with a
prodigious
memory. On his father's lap he learnt by heart the names of his
ancestors
and the hymns to the gods and goddesses, and at the village school he
was
taught to read and write. But his greatest delight was to listen to
recitations
of stories from Hindu mythology and the epics. These he would
afterwards
recount from memory, to the great joy of the villagers. Painting he
enjoyed;
the art of moulding images of the gods and goddesses he learnt from the
potters. But arithmetic was his great aversion.
At the age of six or seven Gadadhar had his first experience of
spiritual
ecstasy. One day in June or July, when he was walking along a narrow
path
between paddy-fields, eating the puffed rice that he carried in a
basket, he
looked up at the sky and saw a beautiful, dark thunder-cloud. As it
spread,
rapidly enveloping the whole sky, a flight of snow-white cranes passed
in
front of it. The beauty of the contrast overwhelmed the boy. He fell to
the
ground, unconscious, and the puffed rice went in all directions. Some
villagers found him and carried him home in their arms. Gadadhar said
later
that in that state he had experienced an indescribable joy.
Gadadhar was seven years old when his father died. This incident
profoundly affected him. For the first time the boy realized that life
on earth
was impermanent. Unobserved by others, he began to slip into the mango
orchard or into one of the cremation grounds, and he spent hours
absorbed
in his own thoughts. He also became more helpful to his mother in the
discharge of her household duties. He gave more attention to reading
and
hearing the religious stories recorded in the Puranas. And he became
interested in the wandering monks and pious pilgrims who would stop at
Kamarpukur on their way to Puri. These holy men, the custodians of
India's
spiritual heritage and the living witnesses of the ideal of
renunciation of
the world and all-absorbing love of God, entertained the little boy
with
stories from the Hindu epics, stories of saints and prophets, and also
stories
of their own adventures. He, on his part, fetched their water and fuel
and
served them in various ways. Meanwhile, he was observing their
meditation
and worship.
At the age of nine Gadadhar was invested with the sacred thread. This
ceremony conferred upon him the privileges of his brahmin lineage,
including the worship of the Family Deity, Raghuvir, and imposed upon
him the
many strict disciplines of a brahmin's life. During the ceremony of
investiture he shocked his relatives by accepting a meal cooked by his
nurse, a
sudra woman. His father would never have dreamt of doing such a thing
But in a playful mood Gadadhar had once promised this woman that he
would eat her food, and now he fulfilled his plighted word. The woman
had
piety and religious sincerity, and these were more important to the boy
than
the conventions of society.
Gadadhar was now permitted to worship Raghuvir. Thus began his first
training in meditation. He so gave his heart and soul to the worship
that
the stone image very soon appeared to him as the living Lord of the
Universe. His tendency to lose himself in contemplation was first
noticed at this
time. Behind his boyish light-heartedness was seen a deepening of his
spiritual nature.
About this time, on the Sivaratri night, consecrated to the worship of
Siva, a dramatic performance was arranged. The principal actor, who was
to play the part of Siva, suddenly fell ill, and Gadadhar was persuaded
to
act in his place. While friends were dressing him for the role of Siva
—
smearing his body with ashes, matting his locks, placing a trident in
his
hand and a string of rudraksha beads around his neck — the boy appeared
to
become absent-minded. He approached the stage with slow and measured
step, supported by his friends. He looked the living image of Siva. The
audience loudly applauded what it took to be his skill as an actor, but
it was soon
discovered that he was really lost in meditation. His countenance was
radiant
and tears flowed from his eyes. He was lost to the outer world. The
effect
of this scene on the audience was tremendous. The people felt blessed
as
by a vision of Siva Himself. The performance had to be stopped, and the
boy's mood lasted till the following morning.
Gadadhar himself now organized a dramatic company with his young
friends. The stage was set in the mango orchard. The themes were
selected
from the stories of the Ramayana and the Mahabharata. Gadadhar knew by
heart almost all the roles, having heard them from professional actors.
His
favourite theme was the Vrindavan episode of Krishna's life, depicting
those
exquisite love-stories of Krishna and the milkmaids and the cowherd
boys.
Gadadhar would play the parts of Radha or Krishna and would often lose
himself in the character he was portraying. His natural feminine grace
heightened the dramatic effect. The mango orchard would ring with the
loud
kirtan of the boys. Lost in song and merry-making, Gadadhar became
indifferent to the routine of school.
In 1849 Ramkumar, the eldest son, went to Calcutta to improve the
financial condition of the family.
Gadadhar was on the threshold of youth. He had become the pet of the
women of the village. They loved to hear him talk, sing, or recite from
the
holy books. They enjoyed his knack of imitating voices. Their woman's
instinct recognized the innate purity and guilelessness of this boy of
clear
skin, flowing hair, beaming eyes, smiling face, and inexhaustible fun.
The
pious elderly women looked upon him as Gopala, the Baby Krishna, and
the
younger ones saw in him the youthful Krishna of Vrindavan. He himself
so idealized the love of the gopis for Krishna that he sometimes
yearned to
be born as a woman, if he must be born again, in order to be able to
love
Sri Krishna with all his heart and soul.